When Was the Nasher Art Museum by Piano Construction Completed
| Nasher Museum of Art | |
|---|---|
 | |
 | |
| General information | |
| Blazon | Art museum |
| Architectural fashion | Modern |
| Location | 2001 Campus Drive Central Campus, Knuckles University |
| Coordinates | 35°59′56.63″N 78°55′44.59″Westward / 35.9990639°N 78.9290528°Westward / 35.9990639; -78.9290528 (Nasher Museum of Fine art) Coordinates: 35°59′56.63″N 78°55′44.59″Westward / 35.9990639°N 78.9290528°W / 35.9990639; -78.9290528 (Nasher Museum of Art) |
| Named for | Raymond Nasher |
| Completed | 2005 |
| Opened | 1969 |
| Cost | $24 1000000 |
| Design and construction | |
| Architect | Rafael Viñoly |
| Website | |
| www | |
The Nasher Museum of Fine art (previously the Duke University Museum of Art) is the art museum of Knuckles University, and is located on Duke's campus in Durham, North Carolina, United States. The Nasher, along with Dartmouth's Hood Museum of Art and Princeton's Art Museum, has been recognized as a place that "raises the cultural bar" on college campuses.[1]
History [edit]
In 1936, art collector William Hayes Ackland wrote letters to three universities, attempting to notice a place to bequest his collection to upon his death. Duke University President William Preston Few was receptive to this thought, and had plans drawn upward for an art museum at Duke. After the death of both Few and Ackland, Duke refused to have the gift, for reasons still non disclosed.[2] Ackland's estate had to posthumously notice a new location to build a museum, eventually creating the Ackland Art Museum.[3]
In 1969, the university established the Duke University Museum of Art on Knuckles's East Campus with medieval fine art from the Ernest Brummer Drove.[4]
In the later twentieth century, in that location was a push button to move the location of the museum to a more central location. Professors of botany fought the plan considering the new location would disturb the "botanical study area," a field of plants.[five]
In the early twenty-first century, in part from a gift past alumnus Raymond Nasher, the museum became known equally the Nasher Museum of Art and opened a new $24 million museum designed past architect Rafael Viñoly. Since its reopening, almanac attendance is most 100,000 visitors.
Mary D.B.T., bully-granddaughter of Benjamin Newton Duke, brother of James Buchanan Duke, and James H. Semans were major contributors to the university art museum. Sarah Schroth, quondam Nancy Hanks Senior Curator, is the director of the museum.
Collection [edit]
The collection contains more than than 13,000 works of fine art, including works past Nina Chanel Abney, Ai Weiwei, John Akomfrah, Njideka Akunyili Crosby, Emma Amos (painter), Firelei Báez, Radcliffe Bailey, Maria Berrio, Sanford Biggers, Christian Boltanski, Mel Chin, William Cordova, Marlene Dumas, Darío Escobar, Genevieve Gaignard, Jeffrey Gibson, Barkley L. Hendricks, Rashid Johnson, Taiyo Kimura, Christian Marclay, Kerry James Marshall, Zanele Muholi, Wangechi Mutu, Odili Donald Odita, Maia Cruz Palileo, Ebony G. Patterson, Dan Perjovschi, Michelangelo Pistoletto, Robin Rhode, Dario Robleto, Amy Sherald, Xaviera Simmons, Lorna Simpson, Jaune Quick-to-See Smith, Eve Sussman, Henry Taylor (artist), Alma Thomas, Hank Willis Thomas, Mickalene Thomas, Bob Thompson, Kara Walker, Nari Ward, Carrie Mae Weems, Kehinde Wiley, Fred Wilson and Lynette Yiadom Boakye. The museum is dedicated to presenting contemporary art from effectually the world, with item attention given to those who have been historically underrepresented. Founding managing director Kimberly Rorschach left for Seattle Art Museum in November 2012.
The museum has a stiff collection of Pre-Columbian art (3,300 objects), with particularly significant holdings of Mayan ceramics and Peruvian textiles.[six]
Selected exhibitions [edit]
Wangechi Mutu: A Fantastic Journey
March 21, 2013 – July 21, 2013
The Nasher Museum of Art at Duke Academy has organized Wangechi Mutu's offset survey in the United States, the most comprehensive and innovative show however for this internationally renowned, multidisciplinary artist. Wangechi Mutu: A Fantastic Journeying presents more than 50 works from the mid-1990s to the present, including collage, drawing, sculpture, installation and video. The exhibition features many of the creative person'southward nearly iconic collages drawn from major international collections, rarely seen early works and new creations. The exhibition too unveils the artist'south sketchbooks of intimate drawings that reveal her creative process and inspirations, on public view for the first fourth dimension. Other new highlights include Mutu's outset-ever animated video, The End of eating Everything, created in collaboration with Santigold, commissioned by the Nasher Museum. Mutu also will transform the gallery into an environmental installation, including a monumental wall drawing, which allows visitors to immerse themselves in the creative person's work. The exhibition is curated past Trevor Schoonmaker, Master Curator and Patsy R. and Raymond D. Nasher Curator of Gimmicky Art.
The Record: Contemporary Art and Vinyl
September two, 2010 – February 6, 2011
This is the get-go museum exhibition to explore the culture of vinyl records within the history of gimmicky art. Bringing together forty-one artists from around the earth who have worked with records as their subject or medium, this groundbreaking exhibition examines the record's transformative power in the years from the 1960s to the present. Through audio work, sculpture, installation, drawing, painting, photography, video, and performance, The Record combines gimmicky art with outsider art, audio with visual, fine fine art with popular civilization, and established artists with those exhibiting in a U.Southward. museum for the commencement time. The 41 artists in the exhibition include Laurie Anderson, David Byrne, Janet Cardiff, William Cordova, Jeroen Diepenmaat, Jasper Johns, Jack Goldstein, Taiyo Kimura, Ralph Lemon, Christian Marclay, Mingering Mike, Dave Muller, Vik Muniz, 9th Wonder, DJ Rekha, Robin Rhode, Dario Robleto, Ed Ruscha, Malick Sidibe, Xaviera Simmons, Su-Mei Tse, and Carrie Mae Weems. The exhibition is curated by Trevor Schoonmaker.
Barkley L. Hendricks: Birth of the Absurd
February 7, 2008 – July thirteen, 2008
This showroom is the starting time career painting retrospective of renowned American artist Barkley L. Hendricks. Born in 1945 in Philadelphia, Hendricks' unique work resides at the nexus of American realism and post-modernism, a infinite somewhere betwixt portraitists Chuck Close and Alex Katz and pioneering black conceptualists David Hammons and Adrian Piper. He is all-time known for his stunning, life-sized portraits of people of colour from the urban northeast. Cool, empowering and sometimes confrontational, Hendricks' artistic privileging of a culturally complex blackness torso has paved the way for today's younger generation of artists who are deeply indebted to him. This exhibition of Hendricks' paintings includes work from 1964 to the present. The exhibition volition travel to the Studio Museum in Harlem, the Santa Monica Museum (Los Angeles,)the Pennsylvania Academy of Fine Arts in Philadelphia, and the Contemporary Arts Museum in Houston. There is a definitive full-colour exhibition catalogue with over 160 reproductions, edited by the Nasher Museum's curator of contemporary art Trevor Schoonmaker.
El Greco to Velazquez: Art during the Reign of Philip 3
August 21, 2008 – Nov 9, 2008
The Nasher Museum collaborated with the Museum of Fine Arts, Boston to present this groundbreaking exhibition – the starting time in the U.s.a. to focus on Spanish art of the period betwixt 1598 and 1621. The show examines a fascinating period bookended by the two giants of Spanish painting: the late works of El Greco and the early paintings of Velázquez. The exhibition is the culmination of 20 years of enquiry by Sarah Schroth, the Nasher Museum's senior curator.
This exhibition includes some 120 paintings, sculptures and decorative fine art pieces, representing xx artists. The masters will be seen in context with lesser-known artists working during this time in Spain. The show will bring together works of fine art from museums around the world, some of which rarely travel outside of their countries, creating a unique opportunity for American audiences. Primal loans from the Metropolitan Museum of Art, the Museo del Prado, the Kunsthistorisches Museum, Vienna, and the National Gallery of Art, amid other institutions and private lenders, were secured.
References [edit]
- ^ Hannon, Kerry (2019-03-12). "Raising the Cultural Bar on Campuses". The New York Times. ISSN 0362-4331. Retrieved 2019-03-28 .
- ^ "Mr. Ackland'due south Final Resting Place". Ackland Fine art Museum . Retrieved 2019-03-28 .
- ^ "Mr. Ackland'south Wills". Time magazine. 1947-06-thirty. Archived from the original on May 24, 2009. Retrieved 2008-11-30 .
- ^ "History". Nasher Museum of Art at Duke University . Retrieved 2019-03-28 .
- ^ "Duke'southward Museum and the Art of Compromise". The News and Observer. Oct 7, 1990. Retrieved March 28, 2019.
- ^ "Art of the Americas". Nasher Museum of Fine art. Retrieved 2015-05-27 .
External links [edit]
- Nasher Museum of Fine art website
- ArtDaily coverage of the Nasher's opening
Source: https://en.wikipedia.org/wiki/Nasher_Museum_of_Art
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